NORTH CENTRAL REGION
Artist Studios - Taos, Peñasco, Dixon, El Rito, Abiquiu, Questa & Chama Areas
ARTISTS LISTED ALPHABETICALLY
A thru F
TO VIEW
A thru F
TO VIEW
To Preview Artist's Portfolios & Information Click on Artist's Website Link
Nick Beason
Printmaker, Monotypes & 'Defies Classification'
3-Dimensional Art
VISIT ARTIST'S WEBSITE
View Gaucho Blue Fine Art Gallery www.gauchoblue.com
Printmaker, Monotypes & 'Defies Classification'
3-Dimensional Art
VISIT ARTIST'S WEBSITE
View Gaucho Blue Fine Art Gallery www.gauchoblue.com
Enjoy Our Vimeo Video: Gaucho Blue. Your Village Gallery on the High Road.
Nick was first attracted to print making while hanging out at the Zeller 9 Gallery on the Fulham Road in Chelsea. After sessions at Winchester Art College studying etching, he was truly hooked. In the US at the Pacific Arts League of Palo Alto, Nick studied with Adele Seltzer (who had worked with Nathaniel Oliviera), and switched allegiance from etching to monotype printmaking. In Taos, Nick met Michael Vigil, an inspiring and generous artist and printmaker, and Nick continues to print at Michael's studio, Graphic Impressions.
Recently, Nick has returned to etching and serigraphs, with thought-provoking work ranging from contemporary takes on Japanese samurai themes, to homages to icons of art and music.
Recently, Nick has returned to etching and serigraphs, with thought-provoking work ranging from contemporary takes on Japanese samurai themes, to homages to icons of art and music.
Defacement
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Displacement-Defacement - JMB & MS
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'Luna (Eclipsed)'
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Earth Mother Dance (Arising)
Santa Fe Prankster
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The King Is Dead - Long Live The Dream
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Floating World Dreams No. 2
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Kari Bell Art
Oil and Cold Wax Painter
VISIT ARTIST'S WEBSITE
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Oil and Cold Wax Painter
VISIT ARTIST'S WEBSITE
Follow Kari on Facebook
Follow Kari on Instagram
Kari Bell Art, Artist Statement
I paint what I feel about what I see. This is the essence of the abstract art I create with oil and cold wax medium. Creating abstract works with lots of texture (either visual or tactile) is possible because the multiple layers of the art in progress can be stamped, gouged, pressed, stained, scraped and generally ‘molded’ to the desired forms and textures.
Helen Frankenthaler said that rules in art are meant to be broken. For me, pushing the boundaries encourages innovation, imagination and a different level of creativity. I revel in an unexpected combination of line, texture and/or color, the juxtaposition unimagined, the unforeseen result.
My work is part reality, part dream, part memory-I hope it evokes some of that for you.
I paint what I feel about what I see. This is the essence of the abstract art I create with oil and cold wax medium. Creating abstract works with lots of texture (either visual or tactile) is possible because the multiple layers of the art in progress can be stamped, gouged, pressed, stained, scraped and generally ‘molded’ to the desired forms and textures.
Helen Frankenthaler said that rules in art are meant to be broken. For me, pushing the boundaries encourages innovation, imagination and a different level of creativity. I revel in an unexpected combination of line, texture and/or color, the juxtaposition unimagined, the unforeseen result.
My work is part reality, part dream, part memory-I hope it evokes some of that for you.
Street Fair
Pueblo
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Nightbreak
I said I would
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Santa Cruz
SwingTime
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Rebecca Crowell
Visual Artist / Contemporary Abstractions
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Follow Rebecca on Instagram
Visual Artist / Contemporary Abstractions
VISIT ARTIST'S WEBSITE
Follow Rebecca's Facebook Page
Follow Rebecca on Instagram
Rebecca Crowell is known for her innovative painting techniques involving cold wax medium and mixed media, and is
represented by a number of fine art galleries in various locations throughout the United States and internationally.
represented by a number of fine art galleries in various locations throughout the United States and internationally.
“Crowell's works are abstracted from nature: they are personal responses to the visual forms, colors and atmospheres that have surrounded her in a variety of locations.” — John Seed, The Huffington Post
Chroma #1, oil/cold wax on panel, 36x48", 2020
For a Brighter Day, oil/cold wax on panel, 36"x36", 2020
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In Between, oil/cold wax on panel, 16"x23", 2020
Riconada Trails oil/coldwax on panel, 42"x60", 2020
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Chroma #2, oil/cold wax on panel, 42"x60", 2020
Fragility, oil/cold wax on panel, 36"x36", 2020
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Clôdie Francois, Mesdames Carton
Whimsical Design Furniture, Lamps
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View Clôdie's Facebook Page
Whimsical Design Furniture, Lamps
VISIT ARTIST'S WEBSITE
View Clôdie's Facebook Page
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Visit Clôdie François on the
NEWMEXICOFIBERARTSDIRECTORY |
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“I am nuts about trees, I even speak to them... and to the branches I cut along the arroyos to create my lamps.
I ask: speak to me, tell me one of your stories, some dream, some fantasy. Shutting the buzz in my mind, I listen with my eyes, until my hands follow & shape with colorful papers, the story they whisper.
Each new lamp is a duo between the peculiar nature of the branches and my own imagination.”
I ask: speak to me, tell me one of your stories, some dream, some fantasy. Shutting the buzz in my mind, I listen with my eyes, until my hands follow & shape with colorful papers, the story they whisper.
Each new lamp is a duo between the peculiar nature of the branches and my own imagination.”
Lana Dura LLC
Minna White
Giving Sheep A Job
Minna White
Giving Sheep A Job
Visit Lana Dura's QUELLE ZINE Article
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Visit Lana Dura on the
NEWMEXICOFIBERARTSDIRECTORY |
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Lana Dura uses only natural colors of Navajo-Churro wool, ranging from black and white through
unusual browns, grays (plus hot water and friction), to make their wool felt. Everything we
produce is unique in color and patterning - very textural (touch them!) distinctive and joyous.
Everything is hand-washable, hand-made in Taos and all the flat felts are reversible.
(Pictured: Reversible flat felts for floors, Art felts for walls, Hand-sewn pillows, Pot Holders &
Tortillas, Coasters, and Snuggly Pet Beds.) This historic and now rare breed arrived in this hemisphere
with the Spanish Conquistadores in the 1500s. I am fortunate enough to have found their wonderful fiber
and this thoroughly sustainable material enables me to Give Sheep a Job.
unusual browns, grays (plus hot water and friction), to make their wool felt. Everything we
produce is unique in color and patterning - very textural (touch them!) distinctive and joyous.
Everything is hand-washable, hand-made in Taos and all the flat felts are reversible.
(Pictured: Reversible flat felts for floors, Art felts for walls, Hand-sewn pillows, Pot Holders &
Tortillas, Coasters, and Snuggly Pet Beds.) This historic and now rare breed arrived in this hemisphere
with the Spanish Conquistadores in the 1500s. I am fortunate enough to have found their wonderful fiber
and this thoroughly sustainable material enables me to Give Sheep a Job.
Artist Dan Enger
The Twisted West of Dan Enger
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Visit And Follow Dan's Facebook Page
The Twisted West of Dan Enger
VISIT ARTIST'S WEBSITE
Visit And Follow Dan's Facebook Page
Dan Enger was born at Fort Sill, Oklahoma in 1954. He was the son of a career field artillery officer, and grew up living throughout the United States and the world.
Dan has worked as a technical illustrator, art director, exhibit designer, historic preservation coordinator, & gallery operator.
His work is inspired by the twisted west of the American frontier, which remains very much alive in our most enchanted and beloved Taos, New Mexico.
Dan has worked as a technical illustrator, art director, exhibit designer, historic preservation coordinator, & gallery operator.
His work is inspired by the twisted west of the American frontier, which remains very much alive in our most enchanted and beloved Taos, New Mexico.
Apache Scout
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Parde Perdido
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Calavera de Tejas (Blue Background)
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Anne Vickrey Evans
Handmade Felt Wearables
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Visit Anne's Listing on the New Mexico Fiber Arts Directory
Handmade Felt Wearables
VISIT ARTIST'S WEBSITE
Visit Anne's Listing on the New Mexico Fiber Arts Directory
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Anne’s first introduction to felt was as a child visiting her grandparents in Norway where nearly everyone had a pair of felt boots. When a Danish friend visited her in 1982 she learned the technique
for making felt slippers. From that point on, felt became a focus for her and she eventually wrote
five books on the subject, made two videos under the name “Anne Einset Vickrey”
for making felt slippers. From that point on, felt became a focus for her and she eventually wrote
five books on the subject, made two videos under the name “Anne Einset Vickrey”
